Cine-Excess
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      • The Soska Sisters Interview
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    • Issue 1: Subverting The Senses
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  • Home
  • Cine-Excess 2020
    • Representations as Weapons
    • The Revolution Will Be Televised
    • The Schedule
  • Conference
    • Cine-Excess 13 >
      • The Soska Sisters Interview
      • The Gallery
      • The Screenings
  • Journal
    • Issue 1: Subverting The Senses
    • Issue 2: European Erotic Cinema
    • Issue 3: Mark of the Devil
    • Issue 4: Are You Ready for the Country
  • Extra Excess
    • The Cult Film Archive
    • Brian Yuzna Film Academy
    • Cult Content Creation
    • That's La Morte Gallery
  • About Us

Cine-Excess 2020: Online Schedule

Wednesday 4th November: Opening Night Films and Events
5pm -6pm: An Introduction to the Black Sands Educational Project
Chaired by Jo Delyse Packwood

This year’s Cine-Excess conference is presented in collaboration with the Black Sands Educational Project, which seeks to educate UK based BAME artists, filmmakers and audiences about the subversive potential that surrounds black representations in cult and marginal cinema formats.

The panel includes an introduction to the ongoing Black Sands project, with two additional short films submitted by director Philip Ray Tommy, which further contextualise the appeal of horror and cult cinema to BAME artists and filmmakers. Short Sharp Shocks: The Films of Philip Tommy Ray includes Cain & Abel (2017) and Shave (2020).

Also available to watch between Wednesday 4th November to Sunday 8th November

6.30 pm-8.30 pm Cine-Excess Screening 1: Chop Chop
Rony Patel, USA, 2020
UK Premiere

9pm-11pm Cine-Excess Screening 2: AV/ The Hunt
Emre Akay, Turkey, 2020

Thursday 5th November: Cine-Excess Conference Day 1
11.00-11.15am Conference Welcome

11.15am-1pm Panel 1: Old Traditions, New Trends: Emerging Voices in Gothic and Horror Studies
Chair: Kate Ince
  • Rhys James Jenkins and Jayde Martin (University of Birmingham) & Amy Harris (De Montfort University
    The ECR’s of Horror: An Opening Discussion
  • Rhys James Jenkins and Jayde Martin (University of Birmingham)
    Sweating the White Stuff: White Monstrosity in Jordan Peele’s Get Out
  • Amy Harris (De Montfort University)
    In Britain You’re as Much an Outsider as Your Tormentor

1pm - 2pm Break

2pm - 3.45pm Panel 2:  Decolonising Cult Film Studies
Chair: Daniel Sheppard
  • Iain Robert Smith (King’s College London)
    The Whiteness of Cult
  • Shruti Narayanswamy (University of St Andrews)
    Decolonising Indian Cult Cinema: The New Dynamics of Postcolonial Fandoms
  • Dolores Tierney (University of Sussex)
    Nascent Cult Viewing: Latinx audiences and theatres in New York and New Jersey 1969-1973

3.45-4pm: Coffee Break

5pm-6pm Panel 3: The Soska Sisters’ Tales of Terror 2020
Chair: Eugenio Triana
For the fifth year Cine-Excess is delighted to host the Tales of Terror film competition, which will feature a panel of experts reviewing student film pitch entries for a yet to be released horror film.

6.30 pm- 8.30pm Cine-Excess Screening 3: Black Lake
K / XI, UK, 2020
UK Premiere

9 pm -11pm Cine-Excess Screening 4: Leakage
Susan Iravanian, Iran 2018
Cine-Excess Digital Release

11pm Close

Friday 6th November 2020: Cine-Excess Conference Day 2
10am-11.30am Panel 4: Sexualised Sexed Bodies and Cult Performance
Chair: Jo Delyse-Packwood
  • Ellen Wright (De Montfort University)
    Varietease (or lack thereof?): Iteration, Innovation, and the Complexities of the Cult Reappropriation of Bettie Page
  • Troy Bordun (University of Northern British Columbia)
    Exercising Control Over All Things: Genre, Hegemonic Masculinity, and Fifty Shades of Grey Paratexts
  • Daniel Sheppard (Birmingham City University)
    “It's Political Correctness Gone Psycho!" Reimagining the Queer Monster in Bates Motel

11.30-12pm Break

12pm-1.30pm Panel 5: Vigilantes, Victims and Visionaries: Readings of the Cult Outsider
Chair: Iain Robert Smith
  • Kate Ince (University of Birmingham)
    The Feminist Rape-Revenge Film in the 2010s and Revenge (Coralie Fargeat, France/Belgium, 2017)
  • Alex Fitch (University of Brighton)
    No Laughing Matter - Is Joker Too 'Dangerous' a Movie for Modern Audiences?
  • Valeria Villegas Lindvall (University of Gothenburg)
    Weaponizing the digital screen: Representation and resistance of the sex worker in Cam

1.30-2.30pm: Lunch Break

2.30-4pm: Panel 6: Representations as Weapons: Race and Sexuality in Cult Film
Chair: Amy Harris
  • Eric Brinkman (Ohio State University)
    “A Dangerous Lady”: The Affective Complexity of Pam Grier as Blaxploitation Hero
  • Giuseppe Previtali (University of Bergamo, Italy)
    Bodies that Resist. Race and Vulnerability in Contemporary Horror
  • Niharika Krishna (Kings College, London)
    An Ambivalent Politics of Resistance: Bollywood’s New Woman Outside the City in NH10 (2015)

4pm - 4.30pm-Break

5pm-6pm Cine-Excess Screening 5: Cinema Red: Natives and Horror
Mike J. Marin, USA, 2020
UK Premiere

6.30pm-8pm Cine-Excess 2020 Lifetime Achievement Award for Pam Grier

9pm -10.45pm Cine-Excess Screening 6: Gags the Clown
Adam Krause, USA, 2019
UK theatrical Premiere
 
11pm - 1am Cine-Excess Screening 7: Daytime Nightmare
Katrina Grey, UK, 2020
UK Premiere

1am Close

Saturday 7th November 2020: Cine-Excess Conference Day 3
10am-11.30am Panel 7: Moral Panics and Gendered Trauma
Chair: Alex Fitch
  • Elisa Padilla (University of Sussex)
    Exploiting Moral Panics: Humour and Deviance in John Waters’ Cinema
  • Erika Tiburcio Moreno (University Carlos III of Madrid)
    Defending morality During the Francoist Regime: The Perversion of submission in the Female Monster in A Candle for the Devil
  • Máiréad Casey (NUI Galway)
    “A Walking Study in Demonology”: Demonic Possession Horror, Sexual Violence and Neoliberal Feminism

11.30am-12.30pm Break

12.30pm-2pm: Panel 8: International Traditions of Resistance
Chair: Dolores Tierney
  • Gurkan Mihci (Indiana University)
    Turkish Fantastic Cinema Between 1970 – 1985
  • Pamela Pereyra & Luis Gonzalez (Pontificia Universidad Católica Madre y Maestra)
    Characteristics that define the horror genre in independent cinema
  • Liam Ball (University of Sheffield)
  • Rights unseen: Industrial challenges to Aboriginal representation in Australian horror cinema

2pm Conference End

Saturday 7th November 2020: Cine-Excess Shock Till You Drop
3pm-5pm Cine-Excess Screening 8: Fornacis
Aurelia Mengin, France, 2019
Cine-Excess Digital Release

6pm-8pm Cine-Excess Screening 9: The Horror Crowd
Rubin Pla, USA 2020

8.30pm- 10.30pm Cine-Excess Screening 10: Ten Minutes to Midnight
Erik Bloomquist, USA, 2020

11pm-1am Cine-Excess Screening 11: Victim of Love
Jesper Isaksen, Denmark, 2020
UK theatrical Premiere

1am Close

Sunday 8th November 2020: Cine-Excess & Chill Out Screening Day 2pm-11pm
A selection of Cine-Excess 2020 exclusive screenings for those film fans who like their Sunday chill outs to be chilling

Second Run Sunday:
The following Cine-Excess 2020 films are available to watch for 24 Hours on 8/11/2020
  • Black Lake (2nd run screening)
  • Leakage (2nd run screening)
  • Fornacis (2nd run screening)
  • Cinema Red: Natives and Horror (2nd run screening)
  • The Horror Crowd (2nd run screening)
  • Daytime Nightmare (2nd run screening)

5pm-7pm Cine-Excess Screening 12: In the Quarry
Bernardo Antonaccio, Rafael Antonaccio, Uruguay, 2019

8.30pm – 10.30pm Cine-Excess Screening 13: Skin Walker
Christian Neuman, Luxembourg, 2020

11pm – 1.15am Cine-Excess Screening 14: Black Lizard Tales
James Newton, UK, 2020

1.15am Close
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