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    • Issue 1: Subverting The Senses
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    • Issue 4: Are You Ready for the Country
    • Issue 5: Bodies as Battlefields
    • Issue 6: Raising Hell
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August 2017​ | ​ISSN 2053-0706
Edited by
Andreas Ehrenreich and Julian Petley

Issue 3 | Mark of the Devil: International Perspectives on a Cult Classic​

Introduction by Andreas Ehrenreich and Julian Petley
Abstracts
Horror Movies as Witchful Thinking: False Society, Fake Films, Phonic Forces and Other Hexed Issues in Cinema 1922–2012​ by Drehli Robnik
Is Mark of the Devil an Example of Transgressive Cinema? Georges Bataille’s Philosophy of Transgression and the Cinema of the 1970s by Marcus Stiglegger
Mark of the Devil: Topographical and Topological Perspectives by Deniz Bayrak and Sarah Reininghaus
Christ the Victim and the Representation of Sexualised Pain: A Feminist/Queer Theological Reading of Mark of the Devil by Gianluigi Gugliermetto
Spectatorship and Punishment: The Tension Between Macabre Voyeurism and Moral Impulse in Mark of the Devil by Bálint Kovács and Judit Szabó
“After the Sex Wave the Hex Wave?” The German Marketing of Mark of the Devil by Andreas Ehrenreich
Witchfinding in General and the Censors by Julian Petley
Mark of the Auteur: Mark of the Devil’s Blu-Ray Release and the Cult of Authorship by Michael Fuchs​
Grindhouse Nostalgia: The Exploitation Film Career of Adrian Hoven Interview by Uwe Huber

Reviews
Spectacular Now: The Politics of the Contemporary Spectacle Conference Report by Kilian Schmidt
Fantasia Turns Twenty: The Return of the Retro Aesthetic Review by Donato Totaro
​
Notes on Contributors
Acknowledgements​
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